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Happy Chanukah
17 Wednesday Dec 2014
Posted in Art
17 Wednesday Dec 2014
Posted in Art
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16 Tuesday Dec 2014
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If you live to be more than half a century you find yourself repeating certain things over and over. For example, you may eat Chinese food every New Year’s Eve, or you may vacation at Cape May every summer. And then there are the little things. You may get a Cafe Mocha at Starbucks every Thursday or a bagel every Friday. We are creatures of habit. There is comfort in sameness and predictability.
Well if you do something on the same day every year, and year after year, it’s safe to say you have created a tradition. Traditions start out innocently enough. There is a spark of inspiration and an act that is received well by others.
“Let’s host a Halloween party,” you may have said innocently back when such parties were rare. Now, 20 years later, you are still hosting that party. It’s a tradition.
As readers of this blog know, I was married on the day after Thanksgiving in 1978. So after my new bride and I returned from our honeymoon, it was time to prepare for Christmas. Back then, the Christmas season did not actually start until Santa arrived in the Macy’s Parade on Thanksgiving. And since the official Christmas season began later, it was not unusual for people to begin shopping just a week or two before Christmas. I was just at that point.
If you’re like me, one of the first things you did as a new couple was to merge your book and record collections. And so on a Monday afternoon in early December 1978 I merged my Christmas records with my wife’s. Back then, my work schedule got me home several hours before my wife. So after looking at all the combined Christmas music, I decided that I had some time and we needed a mix tape highlighting the best Christmas recordings from our respective collections.
I wanted to use tracks from the Carpenters Christmas album because it was one that we both loved. I put the needle down on the record and heard Richard Carpenter’s ethereal voice reciting the words to “O Come O Come Emmanuel” at the start of a great instrumental medley of songs. But I didn’t want to start the mix tape out cold with a solo voice. Just then, I noticed that my Philadelphia-born wife had in her collection a recording of Christmas music by Eugene Ormandy and the Philadelphia Symphony. And as luck would have it, there was a beautiful string-heavy recording of “O Come O Come Emmanuel.” I had my opening to the Christmas mix tape. We would go from the lush sounds of the Philadelphia Symphony right into Richard Carpenter’s solo voice and then on to that great medley.
It continued that way throughout the tape. I would use an instrumental followed by a vocal of the same song. Herb Alpert’s Christmas album (one record in both our collections) provided many of the instrumentals. My collection provided vocals by Dean Martin, Frank Sinatra and Bing Crosby. My wife’s collection provided the same from Andy Williams and Perry Como. At the end, we had a beautiful mixing of our favorite Christmas music. My wife liked it so much, she put a label on the cassette box naming this “The Good Christmas Tape.”
That could have been the end of the story, but here is where tradition comes in. The next year, on the Sunday after Thanksgiving, we came home from church, having celebrated the first Sunday of Advent. One of the hymns traditionally sung in Catholic churches on the first Sunday of Advent is “O Come O Come Emmanuel.” Having that tune in my head, as soon as we got home, I put the “Good Christmas Tape” in the cassette player and the beautiful sounds of Eugene Ormandy’s version of “O Come O Come Emmanuel” filled the apartment. A tradition had begun.
The following year on the same Sunday I played the same tape, and the year after that, and the year after that. And so it was that when I played “The Good Christmas Tape” this year (transferred to a CD sometime in the ’90s), I announced it as the 36th consecutive year. It’s amazing how fast the years have gone by, and how great it is to have a tradition to herald the season. Because after all, tradition is what the holiday season is all about.
13 Saturday Dec 2014
Posted in Art
11 Thursday Dec 2014
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There has long been a dichotomy among Americans. Some love cities; some love the country. Over the course of the last 200 years, Americans have been voting with their feet and cities have been winning. Still many prefer the rural life, at least some of the time. But whether you’re a city or a country person, most people agree that at Christmastime our cities shine.
Tourism in our great cities like London, Rome and New York increases dramatically in late December. People flock to see the store windows, the churches and the Christmas trees. Christmas music and Christmas theater abounds. In New York, the Rockettes head up a Christmas Spectacular at Radio City Music Hall. Our concert halls and churches echo the glory of Handel’s “Messiah.” The Salvation Army rings its bells on street corners. It’s the scene saluted in the popular song “Silver Bells.”
City sidewalks, busy sidewalks.
Dressed in holiday style
In the air there’s a feeling of Christmas
Children laughing, people passing
Meeting smile after smile
and on every street corner you’ll hear
Silver bells, silver bells
It’s Christmas time in the city
I think that Christmas time in the city is magical. It is the one time of year when avowed country people are willing to put up with the city crowds. In New York they flock to Rockefeller Center, to Macy’s, Saks and FAO SCHWARZ. They marvel at the decorations on Fifth Avenue. They enjoy ice skating, walks in the park, and of course, the sound of silver bells.
And as the song says, “In the air there’s a feeling of Christmas.” I swear, it’s palpable. There’s nothing like a city at Christmas.
10 Wednesday Dec 2014
Posted in Concepts
… that it’s dark in the morning when we get up, and it’s dark late afternoon as we head home. Reading on the beach is months away. So we’re tucking away our summer-shades header, and raising our winter (eye) glasses to honor the coming solstice and a good read, inside, by the fire.
08 Monday Dec 2014
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Thanksgiving’s over, and we’re just now getting ready to trash the last leftovers haunting our refrigerator. Pies seem to keep for a very long time, begging to be eaten because, although they may grow dry and crusty around the edges, the centers are still sweet. Week-old stuffing and string beans, on the other hand, have lost all their charms, slowly dissolving into too-moist masses of faded flavor.
We’ve got to clear that stuff out to make way for the invasion of Christmas foods a mere three weeks from now. We’ll dutifully keep those leftovers for a week, then discard them to make room for the New Year’s Eve and New Year’s Day feast-leavings. It’s a tough season for those of us fortunate enough to be faced with the problem of far too much of everything.
Somewhere along the way it feels like we’ve missed the message. Did anyone actually give thanks on Thanksgiving? I don’t mean a pro forma prayer recited over an overladen table as a gang of relatives salivated, hovering over plates with utensils in hand, half listening to broadcast football and hoping you don’t drone on too long.
No, I mean really give thanks. As in sitting alone and quietly reflecting on the many blessings, great and small, that fill your life. My list includes a loving wife, and our uniquely beautiful, funny, and wonderful children; my six siblings and elderly Mom whom I love dearly; a spacious, comfortable home; clean clothes; enough food in our two refrigerators and basement freezer to feed an African village for a month; a really good car; a clean bill of health. A sweet dog who wags his stubby tail like a runaway metronome whenever we come home.
There’s more — mundane but meaningful blessings like health and dental insurance coverage; a good mattress on the bed; lots of great books to read; two acoustic guitars that sing better than I do; a view of the ocean from our front porch; fresh parsley in the yard we’re still harvesting despite the coming cold.
Thanksgiving has become rote: there’s a big parade in New York, a big meal on the table, football on TV, and almost unbearable hoopla over the start of the Christmas season. That was last week. Now it’s quiet, and every day, I’m quietly giving thanks.
06 Saturday Dec 2014
Posted in Art
04 Thursday Dec 2014
Posted in Words
It’s December 4. Get ready. (Can you hear the collective sigh about the speed of time?)
The days will now fly, in full swing, to the rhythm of the holiday season.
There will be parties to attend. And cookies to be baked. Trees will be lit up; candles will be lit. Some of us will sauté latkes; others will hang stockings on the mantle.
We linger in the past with our rituals. And we usher in the future with toasts. But there is an interstice before the craziness envelopes. A small window of time, when you can sit for a bit with a cup of coffee on a cold winter day and prepare for the countdown. Breathe with us!
01 Monday Dec 2014
Posted in Confessional, Men
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Frank Sinatra, Frank Terranella, Guy Wood, Jack Lawrence, John Coltrane, Johnny Hartman, music, My One and Only Love, Robbert Mellin, Robert Mellin, Romance and Love, The Write Side of 50
When people ask me what my favorite standard song is, I often reply that I have at least a dozen favorites. For example, I love Make Someone Happy (music by Jule Styne, lyrics by Betty Comden & Adolph Green), Someone to Watch Over Me (music by George Gershwin, lyrics by Ira Gershwin) and What Are You Doing The Rest of Your Life (music by Michel LeGrand, lyrics by Alan and Marilyn Bergman). I used the last of these to propose to my wife.
But if someone really presses me and won’t take more than one song as an answer, I confess that my all-time favorite is My One and Only Love by English song writers Guy Wood and Robert Mellin. I think it’s a masterpiece, and judging by the number of recordings of it, many people agree with me. It has a fascinating tune as it climbs the scale with its first six notes. But it is the lyric that clinches the deal for me. It starts:
The very thought of you makes my heart sing
Like an April breeze on the wings of spring
And you appear in all your splendor
My one and only love
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
The shadows fall and spread their mystic charms
In the hush of night, while you’re in my arms
I feel your lips so warm and tender
My one and only love
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
The poetry is just breathtaking to me. And the words fit the music perfectly. Interestingly enough, these were not the original words to the song. When Guy Wood wrote the music back in 1947, the lyrics were by Jack Lawrence and the song was called “Music from Beyond the Moon.” It was recorded by Vic Damone in 1948, but was a flop. The lyrics then went like this:
The night was velvet and the stars were gold
And my heart was young, but the moon was old
I was listening for the music
Music from beyond the moon
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
You came along and filled my empty arms
And my eager lips thrilled to all your charms
When we touched I heard the music
Music from beyond the moon.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Is there any doubt why this original version didn’t make it? Not only is the lyric nonsensical (beyond the moon, really??), it doesn’t scan correctly. Guy Wood wrote six notes as the end of each verse (mirroring the six notes of the beginning of each verse). The words “Music from Beyond the Moon” require seven notes.
Poor Vic Damone must have felt like the unluckiest guy around when Frank Sinatra recorded the revised version with the Robert Mellin lyric in 1953 and had an immediate hit. Of course, the definitive version of My One and Only Love is the one by Johnny Hartman that he recorded with John Coltrane in 1963.
The bridge of the song is nothing special musically, but again Robert Mellin’s lyrics shine:
The touch of your hand is like heaven
A heaven that I’ve never known
The blush on your cheek whenever I speak
Tells me that you are my own
And finally, the last verse of the Mellin lyric draws inspiration from the second verse of the original Lawrence lyric, but Lawrence had a base hit. Mellin hits it out of the park:
You fill my eager heart with such desire
Every kiss you give sets my soul on fire
I give myself in sweet surrender
My one and only love
Now that’s a song! It moves me whenever I hear it. It’s not the music of my generation, but then neither is Bach or Beethoven. It’s classic Tin Pan Alley — one page in the rich American Songbook that Jonathan Schwartz has spent a lifetime promoting. And you don’t have to be over 50 to love it.
29 Saturday Nov 2014
Posted in Art