The Saturday Blog: Renewal
06 Saturday Apr 2013
Posted in Art
06 Saturday Apr 2013
Posted in Art
05 Friday Apr 2013
Posted in Confessional
Tags
Bare arms over 50, bare backs over 50, Bare breasts over 50, bare legs over 50, confessional, Lois DeSocio, summer shorts, The Write Side of 50
The first thing I’m going to bare, as summer approaches, is my soul. I’m having doubts about wearing my favorite orange (short) shorts this year.
I’ve always been a bit of a paradox when it comes to being bare. I love clothes, and I’m modest. I believe the more left to the imagination, the better – no matter what age. But I also love air on my skin. I’m barefoot more than shoe-ed. And I love bare legs, bare arms, and bare anything else that’s legal … or out of sight.
My doubt was fleeting, but it had crept in because of my age. Because, as we all know, ladies, it is incessantly hammered into us that we should burka-up once we hit 40. So says … just about everyone under 40. And just as tiresome, repetitious, and saluted (ad nauseum), is our generation’s mantra: “We-will-be-the-first-to-look-40-at-50-so-take-that-we-look-great-and-we-will-not-be-held-back-nor-told-what-to-do-nor-what-we-can-wear.”
Don’t listen, girls. To either hail. Instead, don a sense of delusion, and face this summer bare-backed, bare-bellied, bare-armed, bare-legged; bare breasted. Embrace this stratagem with aplomb, regardless of what you may look like, or what others may see.
Or create an allusion:
If you think you look better from the front in a bathing suit, than from the back (we all know how those lycra suits push everything that’s loose to the back), then never let anyone see your back while standing up. When taking that long walk to the ocean for a swim, you can bend over to pick up the most breathtaking seashell you’ve every seen. Don’t stand back up. Instead, cup the shell in one hand with the elbow inward, and at hip level. Your other hand meets your forehead to keep the sun out of your eyes. This allows you to remain bent over frontwards the whole way down the beach, and into the ocean.
At the pool, prepare for that perfect plunge with a stretch and a salute to the sun from chair to the pool’s edge, then dive in. And when surfacing from any body of water, it’s perfectly acceptable to elongate your whole torso, upper arms vertical, elbows bent, hands on your head, biceps flexed, while you are squeezing, fluffing, and tending to your wet hair. The four parts of your trapezius muscle, in back, will take it from there, beautifully.
Arms are tricky. Especially in broad daylight, or fluorescent lighting. No amount of planking or pumping can tone that free-flowing (sometimes flapping) underbelly of an aging, uncovered arm. If you’re lucky enough to have toned arms at 50-plus, believe me, in the wrong light, they, too, can look pocked and piebald.
So, when possible, especially when being photographed bare-armed – never, ever put your arms front and center, with the “No! Don’t take my picture!” pose. Always turn your inner arm towards the sky, palms secretly pressing down on the arms of a chair, chest out, head up, and a tad forward. This tightens your upper arm, and creates that dip in your neck, thanks to the much-underrated clavicle bone that will project and appear to be part of a toned, upper arm. And if this picture is taken on the beach: head to the beach chair. It’s low to the ground. So everything that’s falling down, will fall back when looking up to the picture snapper, who is looking down at you looking up.
Breasts never get “old.”
And my hat is off to any woman over 50 who bares her belly with verve. I only feel that verve when exposing my front while lying on my back. And buoyant. (Floating in water, palms down, arms up, head back, can give the allusion of a 25 year old from head to toe.)
Legs can hold their own, no matter what age. The question is, how much do you show? Show as much as you want. Especially if you are also baring your arms or belly. Because unless your derrière is sagging down through the bottom of the hem of your shorts, or short skirt, no one will be looking at your legs.
04 Thursday Apr 2013
Posted in Art, Confessional
Tags
Asbury Park, Cineplex Entertainment, Gone With the Wind, Lowes Palace, Lyric Theater, Mayfair Theater, Movie theater, St. James Theater
When I started going to the movies as a “grown-up,” i.e. without parent chaperones, my friends and I went to Saturday matinees at the St. James, Mayfair or Lyric Theatre in Asbury Park. Big old carnival-like palladiums that were demolished – now it seems pointlessly. Probably the riots that sparked in Asbury Park in the summer of 1970 initiated the slow demise of each of the grand old palaces. One of our parents would drop us off and we would walk through the lobby into a cavernous auditorium, where a heavy, red-velvet curtain protected the mile-wide screen. The curtain would part, and the movie, sans any commercials, would begin. The first time I saw “Gone with the Wind” (falling crazy for Clark Gable), was at one of those baroque confections, so different from the modern seven-screen cineplex.
So, it was with great glee when, a couple of weeks ago, I found myself on the corner of Broadway and 175th Street staring up at a magnificent, albeit broken-looking, movie palace. I could only guess it was built in the late ’20s, early ’30s. It was a city-block wide; the original box office in place. And the entire facade of the building was decorated with intricately carved fretwork. What looked to be a Hindu god graced the marquee high above the street. It is now the United Church, but I closed my eyes and imagined what glory it must have commanded in its day, especially since its architectural splendors still dazzle.
In the back of the theatre, facing Wadsworth Avenue, a balcony had been built on the second floor. I couldn’t figure out if the stars used that space to come out and bow to their fans, or if it was just a place to cool off on a hot summer night because the theatre was built way before air conditioning.
When I got home I called my mother, because she grew up in that neighborhood. I thought she might know what the mystery building was before it became a church. “Of course. It’s the Old Loew’s Palace where I saw ‘Gone with the Wind’ when it first came out in 1939. I was 11.”
03 Wednesday Apr 2013
Posted in Confessional, Men
As I approach 60, I can’t help but speculate about how I’m going to leave this world. It’s not a morbid preoccupation, but a simple fact of life. As my generation grows older, more and more of us will die.
I’m fortunate to have been born into a large family. My father was one of nine children, and my mother, incredibly, was one of 21. Of course, there were two mothers in that family – my maternal grandfather had 10 or 11 children with his first wife, who was the oldest in a family of five girls. When she died (in childbirth, of course), he went back to Italy, married her youngest sister, and brought his new wife back to the United States where she bore him 10 or 11 more kids.
As Dad used to say: “He shoulda bought a TV.”
So now, as my aunts and uncles reach their 80s, and beyond, I’m learning what tends to kill my closest relatives. My generation’s on deck, and barring a catastrophic accident, there’s a pretty good chance that what’s killing them will also kill me.
First, my father’s side: Claiming primarily Irish lineage, they were talkers and jokers and partiers. True to stereotype, there seem to be an inordinate number of heavy drinkers among his siblings.
Take Dad’s older brother, Uncle Warren, a barrel-chested career cop who chain-smoked unfiltered Camel cigarettes, and drank Boilermakers (a shot of rye whiskey with a beer chaser). In his 60s, he got cancer of the larynx, and they removed his voicebox. The summer after his operation, Warren got an electrolarynx, a battery-operated device that resembles a microphone. You hold it up under your chin, and it vibrates to allow you to form robotic, but discernible words. Uncle Warren came to a backyard barbeque with Aunt Margie, a conservative ultra-religious woman, and used the electrolarynx to alternately tell jokes and goose his mortified wife.
About a year later, he developed cancer of everything and died at 68.
Dad’s youngest sister, Madeline, was diagnosed with liver cancer at age 64. The disease was swift and merciless, and she wasted to a frail shadow of herself before she died six months later. Dad died at 76 of congestive heart failure after a failed operation to repair a faulty valve. Uncle Bob, Dad’s younger brother and my namesake, died of lung cancer at 79. He briefly went through lung removal, and the indignity of chemotherapy, but still died within two summers of being diagnosed. Decades of heavy smoking, and heavier drinking, didn’t help any of them.
Dad’s oldest brother, Artie, died in his late 70s in a head-on collision as he drove the wrong way on a one-way street leaving an airport. There was no indication that drugs or alcohol were involved in the crash. Uncle Artie, the sweetest guy in the world, had spent years as a commercial pilot on transatlantic flights without a single incident. Uncle Norton, the next oldest brother and a heavy drinker for years, died of heart failure at 81.
So the score on my Dad’s side of the family: One brother, 80, and two sisters, in their late 60s/early 70s, still living and in good health. Cause of death for the six deceased siblings: Cancer (3), heart disease (2), accident (1).
My Mom’s side of the family is a different story. At 86, Mom thankfully has no serious life-threatening ailments. She does have creeping dementia, and takes medication for blood pressure and whatnot, but physically, she’s pretty much fine. Her older sister, Louise, died at age 90-something of old-age onset breast cancer. Her brother, Billy, died at 80-something of old-age onset kidney failure. Her father died in his 80s of old-age-onset diabetes. Another sister died of old-age-onset, period – at 98 or so, she just stopped breathing. Lots of them are still around, and getting older all the time. You get the picture.
So from my Dad’s side it looks like cancer or heart disease are good bets, but I don’t smoke or drink heavily so maybe I’m improving those odds. Thankfully, I look more like my mother’s side of the family. In fact, Mom says I look a lot like her dad (of the two wives and kids in litters), which gives me hope. If it weren’t for menopause, I suppose that might also give my wife (or her younger sister) jitters, but they’ll get over it.
02 Tuesday Apr 2013
Posted in Confessional
On July 16, 2012, my position had been eliminated. Not just mine, but 125 other employees who, just like me, loved their speaking jobs in the local high schools. Yep, the company was “ending” this side of its operations after 35 years. It was a bolt out of the blue. Or maybe a zing. It was coming for some time, but I loved my job, so tried not to dwell. Then it dropped – the weight. Clunk. Right there in front of me.
My heart was in my throat for most of the conference call. Little flashes of catastrophe were clouding my vision. Do I get severance? What about health insurance? What about vacation pay? References? My livelihood? And … my sanity. I was 55. Who would hire me?
So, herein lies my eight-month journey:
The Good
Fortunately, I am an eternal optimist. My first thoughts: my husband and I will be fine. The severance package was decent, plus all vacation pay should carry us through at this income level for about four months. I saved a tidy sum through the company’s 401k plan. That will be rolled over into our investment fund. Oh, and unemployment! I must sign up for that immediately, I was told. I’d have the rest of the summer free, basically, and can help with my daughter’s upcoming wedding. (An iota of glee there.) And, oh yay! I could hang out at our cabin as much as I please for the summer.
Hey, is this such bad karma, I thought? And lest I forget – I have a Washington State teaching certificate. I’ll renew it, and substitute teach until I find permanent employment. (Do I really want permanent employment again?) Unemployment prorates my wages while I substitute teach because it’s not permanent work with benefits. I could get used to this. I had time for lunch with friends, my workouts did not suffer, and I had time to visit my aging parents. Life was good.
The Possible Bad
It’s been eight months since the layoff, and we haven’t had to touch the severance fund. The economy in Seattle, where I live, is robust. We have some of the nation’s best companies headquartered right here. Amazon just contacted me for an interview for an awesome position developing business relationships. But, who will hire someone who is five or so years away from retirement? And I haven’t had a ton of interviews. But this subbing gig is working out. And I must not let the age thing get me down. It’s time to demonstrate energetic interview enthusiasm. (Yay! I love your company, and I want to be part of the team!)
The Ugly
I’ve since sent out 300 resumes, and I’ve had only three interviews so far. I’m a straight-A student – what’s happened here? I’m technologically with-it: LinkedIn, Facebook, and electronic submissions of resumes and cover letters. I’ve been out of permanent work for so long now, that I just qualified for the Emergency Unemployment Compensation through the Federal Government. I hope it doesn’t get so ugly that this runs out. If so, I can continue to substitute, as I don’t really want a permanent teaching gig. And, the optimist in me keeps reassuring me that I can do this until I really want to retire. (So, take that, ugly side.) I do have options.
Well, in retrospect, since the “Good” paragraph is the most lengthy, I guess this layoff thing isn’t so bad. Or ugly.
01 Monday Apr 2013
Posted in Art
Tags
Art, David Yurman, Dura-Europos, Julie Seyler, The Write Side of 50, Yale University, Yale University Art Gallery
I am passionate about ancient objects. Vases, bowls, tables, and combs, when crafted by an artisan who might be 4000 years old today, blow my mind. So I scour the ancient art galleries of museums, and love to visit once-buried cities. Seeing old artifacts confirms the continuity of fashion; the practicality of drinking glasses; the fun of jewelry.
One bitter day in March, a friend and I drove up to the Yale Art Gallery. From the city, it’s about 2 hours on I-95. I had heard that the recent renovation was spectacular, but had ignored reading about it, so I went with a blind eye. The minute we drove onto Chapel Street, and past the stately gothic buildings that comprise Yale University, I was enamored. The campus is not beautiful in the sense of rolling hills, but in the majesty of the architecture. It celebrates education with arches and steeples and marble and wrought iron gates. If ever I wanted to go back to being a student, this stroll around Yale made me long for youth in a way that was not familiar.
So when I entered the art gallery, I was already enchanted and became more so as we ambled through. The little I saw reflected the tip of an amazing collection – a mini- Metropolitan Museum of Art, but so much more accessible. The info cards give the necessary details with simplicity, and it was crowded, but not jammed.
Within the Roman galleries was an exhibit devoted to the city of Dura-Europos, founded in 300 B.C. on the western bank of the Euphrates River, in what is now present-day Syria. The Romans dominated from about 165 A.D. until another invading army, the Sassanians, took over. The site was discovered by a team of Yale archaeologists in the 1920s, and the gallery is a showcase for their finds. I spotted a leather flip flop that could have been made by Rainbow; a David Yurman bracelet and Matisse-like terracotta female figures.
My favorite was the word puzzle. Each of the words (ROTAS, OPERA, TENET, AREPO, and SATOR), written on this plaster plaque, can be read right to left, or left to right, or up and down, or down and up, and end up spelling the same word. A master acrostic palindrome. The meaning remains an enigma, but not the pleasure of a word game, which is timeless.