The Saturday Blog: Red Hot Writers
19 Saturday Jan 2013
19 Saturday Jan 2013
17 Thursday Jan 2013
Posted in Art
BY LOIS DESOCIO
When you walk through the back door of my house, and look to the right, there is a long narrow hallway, with a 15-foot-long wall that is chock-full of a 4-foot rectangle of crooked pictures. There’s a bathroom down towards the end of the hallway, and by the time the uninitiated, first-timers-to-my-house walk down that hallway, and come out of the bathroom, they often ask: “What happened to your wall?” Or they let me know that: “Your pictures are all on top of each other, and not lined up.” Or even worse – they start to straighten them.
Thing is – I want them to be this way. I deliberately piled frame on frame. It looks like there was an earthquake. Actually, there is a science to it, and a lot of planning to make it look like there is no planning. But no tape measure or pencil is needed, nor any other fancy how-to-hang-a-picture gadget. The planning comes in the mission to leave no wall space between the frames. Much like the “splatter and action” technique of abstract expressionist painter, Jackson Pollock, I like to make a mess of my wall. I’m a twisted madwoman when I’m hanging – mixing big frames with small, topping the corners of grandma’s 8 x 10 portrait with a sideways snapshot of my two sons as toddlers in the bathtub with their Ninja Turtles. Often, I have to tilt and turn to get rid of as much peeking wall as possible. If I hit a glitch, or there just isn’t an easy fix – I hang an empty frame: 
I can’t claim this idea as my own. And there is a name for this, I just can’t remember it, nor can I find it anywhere. (A friend told me recently that she saw something similar in Pottery Barn’s Halloween catalog – how to make your wall “spooky.”)
I first saw the technique decades ago, in an old black-and-white movie that had a wacky wall of pictures in the background. It stuck with me. I just needed a wall. In the 1980s, my husband and I bought our first house, which had an odd-shaped wall on the second floor. One side just about met the floor. It was here that I began my picture tapestry, because not only did I have a potential canvas, I also had a new baby. So those photos of his every wiggle, squirm, drool, cry, laugh … went up on this wall. From here, and from house to house, and with a second new baby, the wall became a baby wall – filled with baby pictures of everyone in my and my husband’s family.
The wall I now have in my current house is the grandest of them all. It is a culmination of 27 years of previous, twisted walls – an overflowing chronicle of my two sons’ lives so far, plus anything else I want to put up there. Parents, grandparents, brothers, nephews: all there. People I love who have died: lovingly placed. Girlfriends: in place. (One old boyfriend.) Beloved dogs: check. (Two are dead.)
I’m writing about this because I’m going to be moving at some point in the near future, and I will have to take my wall down. I most likely will not be able to replicate the wall as it is, wherever I end up, because I don’t believe I will ever have as perfect a wall as I have now. But on all the new hallways and walls that come my way in the future, there will always be a small cluster of twisted and bundled photos of my clustered, twisted messed-up picture wall.
12 Saturday Jan 2013
These days, it seems that the ability to immerse in undeterred obliviousness has seeped out of the routine, perhaps never to return, or only to return later in life, when we will most seek energy. In any case, we envy this man’s relaxation.
04 Friday Jan 2013
Posted in Art
BY JULIE SEYLER
I take reams of photos when I’m painting because I usually do not have an end vision in my head, and therefore, like to document its story. Sometimes, I start a new work simply because there is leftover, pristine oil paint on the palette. I cannot bear to toss it, so I put it on canvas, and figure it will work out. Oil paint is incredibly forgiving. All mistakes can be painted over.
What evolved into “Crash Landing,” was started because of leftover paint from “Muscle Chick,” the work that accompanied Frank’s post on women’s well-toned biceps. It developed as I nursed my disappointment over canceled vacation plans, and was finished soon after I was told my hip surgery had been completely successful. So this is the story:
01 Tuesday Jan 2013
Posted in Art
Tags
31 Monday Dec 2012
Posted in Art
Tags
Art, Bob Smith, Frank Terranella, Julie Seyler, Lois DeSocio, New Year's Eve, The Write Side of 50
“What are you doing New Year’s Eve?”
Lois will be dancing; Julie will be swinging; Bob might be sleeping; Frank, if he’s lucky, could be kissing.
Click below to see:
29 Saturday Dec 2012
Posted in Art
Tags
28 Friday Dec 2012
BY LOIS DESOCIO
An integral part of our blog’s beginnings were incessant e-mail exchanges between Julie and me, with ideas for what the blog should be about. Threaded into the scores of business e-mails and blog ideas, were some slices of raw revelation, as the ever-evolving voice of the blog drifted from a focus on food and travel to one about navigating our 50s. The e-mails generated tons of ideas, so we diligently filed them away in our queue.
One day in May, Julie dashed off a short poem and e-mailed it to me, thinking it was quite a witty characterization of being on the right side of 50. Her poem, and my e-mailed response, copied and pasted below, sums up how differently we view the physics of aging. For Julie, the two lines conveyed how fleeting the time is between the dewiness of youth, which we take for granted, and the next moment, when it has evaporated. As she sees it, it doesn’t come at one point in time, but throughout the transitions in life. You assume your oyster pearl complexion will always be a part of you, and then … it isn’t.
My poem was better:
On Wed, May 30, 2012 at 3:04 PM, Julie Seyler wrote:
One day you are the oyster pearl
the next time you looked you were the tree burl.
On Wed, May 30, 2012 at 3:28 PM, Lois DeSocio replied:
OOH – that hurts. Props on the poem, but I refuse to be deformed. I will be:
One day I was just a girl;
The next time I looked I was the oyster pearl.
Lemonade, Jule
25 Tuesday Dec 2012
Posted in Art
24 Monday Dec 2012
Tags
Bob Smith, Christmas Tree, Concepts, Frank Terranella, Julie Seyler, Lois DeSocio, The Write Side of 50
It’s hard to deny the joy of a Christmas tree. Of course, they smell great, and they can be dressed up, or not. But they also often reflect individual personalities, and provoke memories.
Read on:
Lois: There’s been news lately about how plant pathologists and Christmas tree farmers are working on building a better Christmas tree, including, ” … how to cultivate a tree that will last from Thanksgiving until after New Year’s.” I will be first in line if this super tree, with super “needle-retention,” hits my local tree farm. Growing up, our family tradition was to live with our spruce for one day. One day! We bought it, put it up and decorated it on Christmas Eve, and it was kicked to the curb by December 26. I was always sad to see the tree go. I wanted it to be a permanent part of our living room. So ever since I’ve had my own living room, and have been in charge of my own tree – my tradition became: put it up before December 1, and leave it up at least until my birthday – January 9th. Who cares that the evergreen is no longer (its needles become trimmed in brown), and the crashing of falling ornaments and lights is a daily post-Christmas sound in my house. This year, I want to leave it up until spring, when my youngest son will be coming home from studying in England. I want him to come home to Christmas. I want his presents to be under a tree. Maybe by March, I may have to move it outside for a bit (or maybe I can figure out how to rig that “IV drip,” that those plant pathologists have been contemplating as a possibility for tree longevity), but this year, my tree will somehow jingle all the way to May.

Julie: I am Jewish – not quite religious – but it is my heritage and identity. When I was about six years old, in 1961, my mother, a 31-year-old divorcee, was dating Ed. He later became her husband. But this story took place during their dating days. He could not believe she was not going to put up a Christmas tree for her two daughters. She, on the other hand, could not bear the thought of having a Christmas tree in her home. I mean, really, it went against her whole upbringing, and what would her mother think? But on this particular occasion, he won the battle by promising he would purchase and deliver a tree without any participation on her part. And he did.
At 7:00 on Christmas Eve he dramatically threw a tree in the front door of our garden apartment in Red Bank, New Jersey and proclaimed: “Here’s your d__ tree.” Now Ed never ever cursed, but the tree had fallen off the roof of his yellow Vauxhall on Route 35 in the middle of rush-hour traffic, and he wanted my mother to know the ordeal he had gone through for her and her kids. My sister and I really didn’t care because we had our tree, and we thought it was beautiful. We set out cookies for Santa, hung up socks as stockings, and went to bed (not really believing that Santa would visit). About 4 a.m., we woke up, and lo and behold, the cookies were gone, the stockings were full, and there were all these presents under the tree. We opened the biggest. It was a Barbie Doll Dream House! We ran in to wake my mother, who had only gone to bed two hours before because she was getting everything ready. But she had to get up; she had to assemble that dream house right now!!! So with bleary eyes, she did our bidding and such is how that memory, from 51 years ago, is set in my mind.
Bob: Dad would always buy a Christmas tree from Uncle Gus, who owned a garden center, because he gave him a great price. He would put it up in the corner of our living room, perched in a rickety metal stand with three green metal legs and a red hemispherical pan. I couldn’t decide whether it looked more like a flying saucer from a cheesy science fiction movie or a World War I doughboy helmet.
We loaded it with ornaments and strands of lights with heavy glass bulbs that screwed into brown plastic sockets – gigantic, clunky things compared to today’s plastic pop-in bulbs. The tinsel wasn’t strung on garlands, either – it was individual metallic strands that we carefully draped over each bough.
When it was all done, I would lie on my back underneath the tree so that my entire field of vision was filled with branches, tinsel, and blinking lights. One string of lights was a train with an old-fashioned steam locomotive, its tender piled high with painted coal, and a cheerful red caboose chugging off into the forest above my head. I would close my eyes, and bask in the warm piney smell and the energy of the splendor inches above me, and it would feel like Christmas.
Frank: All through my childhood, my parents had a small artificial Christmas tree that they put on a table. Santa put our presents under the table. Then, when I was 14, our artificial Christmas tree went up for what would be the last time. A week after Christmas, my father died. The artificial tree was still up, of course, and many of the horrible memories of my father’s death and the aftermath had that Christmas tree in the background. So it was not a difficult decision for my mother to throw out the tree soon afterward. The next Christmas we got our first real Christmas tree. It was a gorgeous blue spruce, whose top scraped the ceiling in our living room. I can still remember the beautiful smell. It was all totally new to our house. It was fresh and alive, just like we were. My mother, brother and I had a wonderful time picking it out, setting it up and even tending to the water in the base. It was a terrific Christmas. And then, a few days after after Christmas, our cat Willy, for whom the tree was as new as it was for us, could no longer contain himself. He climbed the tree right to the top and it promptly tipped over. Instead of being angry, we simply laughed at the startled tabby. And we had real Christmas trees every year after that.