The Saturday Blog: Look
27 Saturday Jul 2013
Posted in Art
27 Saturday Jul 2013
Posted in Art
20 Saturday Jul 2013
Posted in Art
This white house with black windows, on the bluest of summer days, speaks for the beauty of simplicity. It sits across from a train station in the French village of St. Pierre de Quiberon in Brittany. Saturday should be devoted to keeping it simple.
13 Saturday Jul 2013
Posted in Art
04 Thursday Jul 2013
Posted in Art
29 Saturday Jun 2013
Posted in Art
27 Thursday Jun 2013
Posted in Art
One morning I brought my camera with me as I walked crosstown. It was about 7:20, and the sun played havoc with the shaded facade of this building on 22nd Street. The black spikes in the iron fence are vertical, the white floor of the fire escape is horizontal, the windows are on a diagonal. The photo is a carousel of movement. But the close-up changed the mood. The photo is no longer about sharp edges and frantic energy.
I spotted these pipes above a parking garage on 20th Street. They are so organically woven, they seem to be channeling Fernand Leger.
These standpipes made me think of Egyptian dancers – heads to the left; bodies facing front.
I came back to where I started, felled again by the dance of sunlight against a building on 20th Street.
25 Tuesday Jun 2013
Posted in Art, Confessional
Tags
Allenhurst Beach Club, Art, Asbury Park, Asbury Park Boardwalk, Casino, confessional, Convention Hall, Julie Seyler, The Write Side of 50, Wonder Bar
For me, the coming of summer triggers walks down lanes dotted with memories; picture postcards of the past.
I step back to the summer of 1970. Endless days spent sitting on the beach with friends, and hanging out in the snack bar at Loch Arbor Beach listening to, “I Love You More Today Than Yesterday,” playing Hearts or Spades. Nights that began with a walk from the Casino, at one end of the boardwalk in Asbury, and ended with pinball at Convention Hall, at the other end, until one of our parents would arrive to take us home.
And even earlier than that, I remember bike rides to Allenhurst Pharmacy for hot fudge sundaes, and trips to the Palace to ride the bumper cars, the ferris wheel and the carousel. I would try to grab the gold ring as the horses spun up and down and round and round. Way before the riots took down Asbury Park, the Palace, which was Tillie’s home before the Wonder Bar saved her, was an extravagant indoor amusement park.
And earlier than that, it was about catching fireflies. An empty jelly jar in hand, I was out for the hunt.
Flash 50 years forward – I never see fireflies anywhere; the Allenhurst Pharmacy gave way to a dress shop 30 years ago. But the Casino has been rebuilt from a battered shell, and Convention Hall continues to shine forever true.
And, of course some things refuse to change. Summer weekends I am sitting on Allehurst beach, albeit no longer playing cards, but still hanging with my card-partners from way back then.
24 Monday Jun 2013
Bathroom graffiti was an art form in the ’70s, and nowhere was it more varied and interesting than in the men’s rooms at Rutgers University. Of course, there were the crude illustrations of exaggerated phalluses, assorted orifices, and the two, conjoined, drawn with varying degrees of skill. But it was the wordplay that got me. I recall a wry trilogy of quotes:
“To be is to do.” Socrates
“To do is to be.” Sartre
“Do be do be do.” Sinatra
Today, online, they sell t-shirts that display those quotes.
Or a couplet, beginning with this plaintive cry in a looping, extravagant script: “My mother made me a homosexual!”
To which some wag replied: “Cool. If I send her the wool, do you think she’ll make me one too?”
There were also pithy declarations: “Patty Schasty does the nasty.”
Which could be viewed as a slur. or an endorsement, depending on your point of view. Ms. Schasty’s purported phone number accompanied the post, but I didn’t take it down. I wonder if anyone ever calls those numbers? It’s like a country song about loneliness – your phone number’s on the bathroom wall but you still can’t get a date.
Once I saw a listing of 40 slang terms for female genitalia, all in different handwriting. They ranged from disgustingly misogynistic to poetic, and after a week had spawned a companion list, equally extensive, covering the male organ. Puerile? Absolutely. But fascinating, too, to see how much mental energy people expend on the subject.
One incident was particularly disturbing. I was in the basement bathroom of the main library one afternoon, using the facilities and enjoying the artwork on the stall wall. To my right, above the roll of toilet paper, was the notation, “Right here Wednesday 4 p.m. good time had by all!” As I toyed with whether that was a historical note or an invitation to a future meeting, someone noisily entered the adjacent stall. I realized with a jolt that this was Wednesday. I checked my watch – 3:55.
As my new neighbor went about the usual business, I wondered: is this anyone’s idea of a romantic setting? I made ready to exit, but as I hastily pawed at the roll of paper I hit the separating wall twice, making noises that a hopeful suitor might easily interpret as an eager knock. My heart sank – there seemed to be a corresponding rush to paper on the other side.
I quickly exited the stall, strode to the sink with eyes downcast, and began washing my hands. The occupant of the adjacent stall appeared alongside me, and began to do the same. I considered furtively glancing to my right to see if he was checking me out but realized that if he were, and if he saw me do that, wouldn’t he think I was checking him out? Is that the drill? Furtive glance followed by knowing wink followed by an invitation to my stall or yours? Yikes!
Luckily, he finished washing his hands, and simply walked out, clearly not seeking a rendezvous. I left quickly too, afraid the true author of the scrawled invitation might show up slightly late, searching for love. I had washed my hands thoroughly, but I still felt slightly soiled.
22 Saturday Jun 2013
Posted in Art
The Union Square Farmers’ Market on a Saturday is a journey though the ordinary and the peculiar. A few weeks ago, Julie spotted, what appeared to be, a basket of crusty brioche. They were mushrooms.
21 Friday Jun 2013
Posted in Art
Tracey Emin emerged on the art scene about 20 years ago. She became renowned for her 1995 installation work of a tent embroidered with the names of the 102 people she “slept” with, as well as other installations, such as her bed in its unedited glory surrounded by totems of her life in her 20s. To me, “My Bed” represents the chaotic frenzy, boundaryless partying, and hormonal passion that drives us when we are young. But the artist that was identified as one of the Young British Artists is turning 50. She was recently interviewed in The New York Times, and in response to a question about 50 being the new 30 she said:
Who’s saying that? When you’re 20 or 30, looking ahead, you see these benchmarks for relationships, career, ambition, sexuality, and they went off into infinity. When you get to 50, you look at what’s ahead of you, and there’s an end. It goes into a nothingness; a void.
This struck me as a somewhat dark, but fairly accurate observation of what hits the psyche at some point during one’s 50s; another of the “crossing the rubicon” thoughts that hover about as we transition from being “young” to the next stage. So, the bed – once a repository of day/night revelry now plays a primarily functional role. Let there be a full night’s sleep.