Tag Archives: Art

From a Seasoned Theater Lover: New York Has Never Seen Better

17 Tuesday Dec 2013

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A terrific line-up of New York theater.

BY ANITA JAFFE

I am a theater devotee – have been since 1944, when I saw my first play: “Oklahoma.” And all I can say is the theater season this fall in New York has packed a wallop. The array of plays that are out there, and that I chose to see have brought me sheer pleasure – just like the “old” days.

I have run the gamut from off-off Broadway to Broadway, and every time I leave the theater, I am so invigorated, and so thankful that I was able to see these wonderful productions. They took me back to the magic of the theater in the ’50s, when Broadway was teeming with exciting dramas and musicals. For me, this fall was immeasurably more exciting, because theater has never been better.

Last year Mark Rylance’s performance in “Jerusalem,” was so brilliant that there was never a doubt that I was going to see him and his marvelous company in “Richard III,” and “Twelfth Night.” I knew they would be excellent. But they are not just excellent – the performances are a once-in-a-lifetime experience about great theater. I was transported back to 1600, because from costume to set design to language, the show was taking place as if Shakespeare was alive and directing the performance. I was mesmerized by the actors, and their ability to let me experience the genius of Shakespeare.

Then there is the magic of the Public Theater, where I saw their magnificent production of The Foundry’s “Good Person of Szechwan,” Bertolt Brecht’s play starring Taylor Mac, and the amazing actors of the Foundry Theater. I sat on the edge of my seat to catch every word because this is one of Brecht’s plays that I was not familiar with, and it was the first time I had seen Taylor Mac.

Next up was Public Theater’s presentation of “Regular Singing.” It is the last in a series of the Apple Family plays, written by Richard Nelson. I connected with this play because I felt as if I was back in my home in West Allenhurst, New Jersey, talking with my husband about what was happening in the world. But there’s a bonus: The series is being filmed for a presentation on PBS. And guess who was invited to attend? ME! I will be part of the audience next week when the film rolls. I’ll let you know how it goes.

Leftovers

29 Friday Nov 2013

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leftovers

Turkey was served …
turkey served

… and devoured:

the turkey was eaten

The table was a mess, and even though, most likely, everyone was stuffed to the gills …
after the meal is over

… room was made for pie:
pecan pie

And today, leftovers for breakfast …

The Zaftig Female Form: It’s History

26 Tuesday Nov 2013

Posted by in Art, Concepts

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Drawing by Julie Seyler.

Drawing by Julie Seyler.

BY JULIE SEYLER

This has the potential to be a politically incorrect blog. But here goes: The New York Times reported that mannequins in Venezuela are produced according to the populace’s ideal perception of women. This means oversized bosoms, small waists and palpable hips and buttocks. In fact, in Venezuela, augmentation surgery is openly discussed and accepted, at least by the persons interviewed for the article:

Cosmetic procedures are so fashionable here that a woman with implants is often casually referred to as “an operated woman.” Women freely talk about their surgeries, and mannequin makers jokingly refer to the creations as being “operated” as well.

The article indicated some feminist outcry to the notion that perfect beauty resides in the form of an hourglass. But nothing like what would erupt in the United States should the Playboy model once again emerge as an emblem of the ideal body. I can neither pass judgment nor analyze a culture far removed from mine. But it did start me thinking about depictions of the female form.

When I wander around the Metropolitan Museum of Art, I am always entranced by the sculptures depicting women that have been excavated from the ancient burial sites of Greece, Mycenae and Cyprus. Some of these figurines date as far back as 4500 B.C. They are beautiful. Modern art thousands of years ago. I wander from gallery to gallery picking out old favorites, and discovering new ones. In the end, it is obvious – there is nothing new about hips and bosoms.

Five terracotta statues from Cyprus 1450-1200 BC

Five terracotta statues from Cyprus 1450-1200 B.C.

Actually, the collective unconscious that has sculpted, shall we say mannequins, goes much further back than a mere 5,513 years. Thirty-five thousand years ago, sculptures carved from mammoths’ tusks and limestone, that can only be described as zaftig were being created throughout Europe. They are known as Venus figures. So, when you think about it, the earliest artists ever, those that lived before history had a starting date, depicted their ideal women as voluptuous:

Marble female figure 4500-4000 B.C.

Marble female figure 4500-4000 B.C.

I guess the Venezuelan mannequins can be viewed as simply a bridge to prehistory.

The Stuff of Mike Kelley; The Fare at M. Wells Dinette

13 Wednesday Nov 2013

Posted by in Art, Food

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Blackboard of wines.

Blackboard of wines.

BY JULIE SEYLER

I milked a lot of blog mileage out of 17 days in Indonesia, but it’s time to move on. A couple of Saturdays ago, I made plans with a friend to see the Mike Kelley exhibition at PS 1, the public school converted into an extension of the Museum of Modern Art located in Queens. I was familiar with his stuffed animal sculptures, and was interested in seeing the full spectrum of his work.

The subway ride out there is not fully subterranean:

Emerging from Hunts. Pt. Av. on 7 train.

Emerging from Hunts. Pt. Av. on 7 train.

There is art to be seen as you emerge from the nether-regions of the underground to the rooftops of Queens. If you appreciate the grit of urban beauty expressed in colorfully decorated graffitied buildings and boxy industrial complexes, it’s nice to take it all in.

While the purpose of the excursion was to see “art,” we also wanted a meal at M Wells Dinette. I had heard about this restaurant when it opened in Long Island City about three years ago, and received over-the-top reviews for its celebration of the fattiest, lardiest parts of the pig. Then it closed. When I read that it had reopened as the cafe at PS1, I really wanted to go there, and see if it was as intriguing as the reviews had indicated.
M WELLS DINEETE DOOR

In keeping with the whole public school theme, the dinette is a classroom. The students, i.e. us eaters, are seated at long tables facing the kitchen. The menu is printed on a page from a lined composition book, and the wine list is written in chalk on the blackboard. The selection that day included cavatelli with goat meatballs, blood pudding, oysters and tete de cochon. We opted for the rabbit and foie gras terrine, and the tart with escargots and bone marrow: rabiit and foie gras terrine Paired with a glass of petit Chablis, the ensemble was the perfect meal to have in your stomach before wandering through a terrain of 40,000 square feet to view art. And great art at that:MIKE KELLEY

The show was fabulous, albeit raw and sometimes too vulgar for my tastes, but absolutely honest. I stand in awe of someone whose width and depth of imagination, not to mention curiosity, led him to explore and master materials in every shape, size and texture to create sculptures, paintings, videos, performance, and installations that ranged from small to large. Each piece was infused with originality, intelligence and wit – wit that could be sardonic, sarcastic, skewering and tender. His work is both compassionate and enraged. There was a lot to take in, but the mad vividness and unique perception of the way this particular man expressed his ideas remains unforgettable.

From the Kandor Project

From the Kandor Project.

There were stuffed animals, stuffed together and stuffing each other, and stuffed animals that gave the fleeting impression of being hung as disco balls, scatological posters and a classroom sized table top rendering of every school that Mike Kelley attended. There was a multi-room installation devoted to Superman’s hometown, Kandor, and this does not take in all the videos and paintings and and other pieces that filled the three floors of the museum.

Deodorized Central Mass with Satellites" (1991-99).

Deodorized Central Mass with Satellites.” (1991-99).

Mike Kelley committed suicide in 2012. The only reference I read for an explanation was from The New York Times obituary, which indicated severe heartache. We will never know. He was only 57. He is immortal through his work.